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Medium format vs frame high iso2/28/2024 Its other potential advantage is its HNCS color science, or Hasselblad Natural Color Solution, which does indeed produce images with a distinctive, even unique look. The extra 2 bits of color don’t necessarily mean an obvious and visible benefit, but they no doubt play a part in Hasselblad’s claimed 15 stops of dynamic range. One is its 16-bit raw capture, versus the regular 14-bit raws of the Fujifilm. Both cameras enjoy the benefit of a larger medium format sensor and 102-megapixel resolution, and while the GFX 100 II comes with Fujifilm’s celebrated Film Simulation modes, the X2D 100C has a couple of extra cards up its sleeve. While the GFX 100 II is the obvious choice for filmmakers, things take a slightly different turn for stills photographers. Hasselblad X2D 100C: 102MP, 16-bit raw, 15 stops DR, Hasselblad HNCS.Fujifilm GFX 100 II: 102MP, 14-bit raw, Film Simulations.There may be a few photographers who wish Fujifilm made a simpler version of the GFX 100 II along the same lines, but if you are a hybrid stills/video/cinema photographer, the GFX 100 II isn’t just the best choice in this comparison, it’s the ONLY choice. Video comparisons between cameras are usually complex and technical, but not this time! While the GFX 100 II has 8K and 4K capture capabilities to rival the latest and best hybrid cameras, the Hasselblad does not offer any kind of video capture at all. Fujifilm GFX 100 II: 4K/60p, 8K/30p, FHD/120p (various crops from 1.0-1.51x depending on format), 4:2:2 10-bit Internal Recording, F-Log2 (first) for 14+ stops DR, Frame.io Camera to Cloud compatibility, 12-bit Apple ProRes RAW up to 8K 30p to Atomos over HDMI, optional FAN-001 Cooling Fan, Record to external SSD via USB Type-C, Waveform, Vectorscope, Zebras, All Intra, Long GOP.The Fujifilm GFX 100 II is an 8K powerhouse, while the Hasselblad X2D 100C doesn't shoot video at all. In fairness, that’s still pretty high for a camera designed for ultimate resolution and quality and it seems unlikely that you would buy either camera specifically for low light shooting. The Hasselblad X2D 100C can’t even get close, with a maximum standard ISO of 25,600. The sensor may be the same, but Fujifilm’s X-Processor hardware drives it to a maximum ISO 12,800 in its standard range and ISO 102,400 in expanded range. This means that you can in principle use flash at any speed and the shutter actuation should be quieter and lighter – though the maximum shutter speeds available are not as high. One key feature of the Hasselblad lenses is that they incorporate a leaf shutter. Two of the Fujifilm lenses are specialist tilt-shift optics, and three of the Hasselblad lenses are new primes launched alongside the X2D 100C. Ignoring third-party lenses, we count 17 Fujifilm GF lenses and 14 Hasselblad XC lenses. The Hasselblad X2D 100C is in the same position, using Hasselblad’s own XC lens mount, a compact alternative to its older H-series mount.Īlthough new Fujifilm GF lenses appear to arrive more frequently, there is actually little difference in these two lens ranges. The GFX 100 II uses Fujifilm’s on GF lens mount, which is not shared with any other camera platform, nor with its smaller-format X-mount mirrorless cameras. Hasselblad X2D 100C: Hasselblad XCD (14 lenses)īoth cameras use a bespoke lens mount.Fujifilm GFX 100 II: Fujifilm GFX (17 lenses).The Hasselblad X2D 100C uses Hasselblad's own XCD lens mount, but there are almost as many XCD lenses as there are Fujifilm GFX lenses.
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